The 12 Types Of Twitter Fela Tweets You Follow
Fela Kuti
Fela is a man with contradictions. That's what makes him so fascinating. People who love him accept the parts of him that aren't perfect.
His songs can last longer than 20 minutes and are sung in a thick, almost incomprehensible Pidgin English. His music is influenced by Christian hymns and classical music. He also blends jazz, Yoruba, and highlife with guitars and horns.
He was a musician

Fela Kuti embodied that music can be a powerful tool to transform the world. His music was used to argue for political, social and economic reforms. His influence can be evident to this day. His musical style, Afrobeat, is a combination of African and Western influences. Its roots are in West-African hip-life music and funk however, it has evolved into its own style.
His political activism was fierce and fearless. He made use of his music to speak out against corruption in government and human rights violations. Songs such as "Zombie" and "Coffin for the Head of State" were provocative critiques of the Nigerian regime. He also made his home, Kalakuta Republic, as an area for political activism and an area for gathering with like-minded people.
The play features a huge portrait of his late mother Funmilayo ransome-Kuti. She was a well-known feminist and activist. She is portrayed by actress Shantel Cribbs, who has successfully depicted her importance in the life of Fela. The play also examines her political activism. Despite her deteriorating condition, she refused to be tested for AIDS. Instead she opted for traditional treatments.
He was a singer
Fela Ransome-Kuti was a complex musician who used his music to facilitate political change. He is credited as the originator of afrobeat, an energetic mix of funk and traditional African rhythms. He was a fierce critic of Nigeria's religious and governmental leaders.
His mother was a suffragist who was anti-colonial, so it is not unusual that he has a love for social commentary and politics. His parents had hoped that he would eventually become a doctor but he had other ideas.
A trip to America changed his perspective forever.
fela settlements composed was greatly inspired by his exposure to Black Power movements and leaders like Eldridge Clever and Malcolm X. He embraced an African-centric philosophy which would inform and guide his later work.
He was a writer.
While in the United States Fela was introduced to Black Power activists such as Stokely Carmichael and Malcolm X. The experience inspired him to create an activist movement known as the Movement of the People, and to compose songs that expressed his thoughts on political activism and black consciousness. His philosophical ideas were aired in public through the way of yabis, a form of public speaking was referred to as "freedom of expression". He also began to enforce an uncompromising code of ethics for his band, such as refusing to receive medications from doctors trained in the West.
After his return to Nigeria Fela started building his own club, the Shrine in Ikeja. The police and military officials were every day. His Mosholashi-Idi Oro hangers were able to repopulate the area around the club with hard drug, especially "bana" and "yamuna" (heroin). Fela kept his integrity despite this. His music is a testimony to his determination in challenging authority and demanding that the popular goals are manifested in official goals. It is a remarkable legacy that will endure for generations to come.
He was a poet
In his music, Fela used light-hearted sarcasm to highlight economic and political issues in Nigeria. He also mocked his fans as well as the government and himself. In these shows, he would refer to himself as "the big dick in the pond with a little." These jokes were not accepted lightly by the authorities, and he was frequently arrested and imprisonments, as well as beatings at the hands of the authorities. He eventually renamed himself Anikulapo, meaning "he is carrying death in his pouch."
In 1977, Fela recorded a song called "Zombie," which compared soldiers to mindless zombies that were able to follow orders without hesitation. This offended the military, which raided the Kalakuta Republic, burning it down and beating its inhabitants. In the course of the raid, the mother of Fela was thrown from her second-floor window.
In the years following Nigeria's independence, Fela created Afrobeat, the genre of music that combines jazz with native African rhythm. His songs criticised European cultural imperialism and defended traditional African religions and culture. He also criticized fellow Africans for betraying the traditions of their homeland. He emphasized the importance of human rights and freedom.
He was a rapper
Fela Anikulapo Kuti, trumpeter and saxophonist was born in Abeokuta in 1938. He is a pioneer in Afrobeat music. He was heavily influenced by jazz, rock and roll and also traditional African music, chants, and music. After a visit to the United States, Fela met Sandra Smith. She was an activist in the Black Power Movement. Her ideas have influenced his work.
Fela's music was a political instrument upon his return to Nigeria. He was critical of the government of his native country and also argued against Western sensibilities that affected African culture. He also wrote about social injustices and human rights abuses and was frequently detained for his criticism of the military.
Fela also sporadically advocated for the use of marijuana, also known as "igbo" in Africa. He held "yabis" (public discussions) at Afrika Shrine, where he would ridicule officials of the government and share his opinions on freedom of expression and beauty of women's body. Fela had a harem, an ensemble of young women who performed at his shows, and also backing him vocally.
He was a dancer
Fela was a master of musical fusion. He incorporated elements of beat music, and highlife into his own unique style. He influenced a generation of African musicians and was a vocal critic of colonial rule.
Fela refused to leave, despite being interrogated and detained by the Nigerian military junta, as well being a witness to the murder of his mother. He died of complications related to AIDS in 1997.
Fela was a well-known political activist who was critical of the oppressive Nigerian Government and supported the principles Pan Africanism. His albums such as 1973's Gentleman, focused on the issue of oppression by both colonial and government parties. He also pushed for black power and criticised Christianity and Islam as non-African imports that have been used to divide the people of Africa. The title track from an album released in 1978, Shuffering and Shmiling, describes the over-crowded public buses packed with workers "shuffering and smiling." Fela was a staunch opponent of religious hypocrisy. Fela's music was enhanced by his dancers who were lively sensual, regal, and sensual. Their contributions to the show were as significant as Fela's words.
He was a political activist
Fela Kuti used music as a weapon to challenge oppressive authorities. He adapts his knowledge of American jazz and funk to African styles and rhythms and created music that was ready for a fight. Most of his songs begin with slow-burning instrumentals, then adding little riffs and long-lined melodies until they explode with a ferocious vigor.
In contrast to many artists who were afraid to publicly discuss their political views, Fela was fearless and unbending. He stood in his convictions even when it was dangerous to do so. His mother, Funmilayo Ransome Kuti was a prominent feminist who led the Nigerian Women's Movement. His father was a protestant minister and the teacher's union president.
He also created Kalakuta Republic, a commune and recording studio that was an expression of resistance. The government seized the commune, degrading the property and injuring Fela severely. He refused to give up, and continued to speak against the government. He passed away in 1997 due to complications arising from AIDS. He was succeeded by his son, Femi, who continues to carry on his musical and political legacy.
He was a father
Music is often seen by many as a political act. The lyrics of musicians are used to call for a change. Some of the most powerful musical demonstrations aren't performed with words. Fela Kuti was one such artist and his music is still ringing out today. He was the founder of Afrobeat music, which blends traditional African rhythms and harmonies with jazz and hip-hop and was influenced by artists such as James Brown.
Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist and opposed colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied marxism and believed in a Nigeria which served its all of its citizens.
Seun, Fela's Son, is carrying on his father's legacy with the band Egypt 80. The band will be touring the globe this year. The Egypt 80's music combines the sound of Fela with a scathing denunciation of power structures that still exist today. Black Times will be released at the end of March. Thousands of fans attended the funeral in Tafawa Balewa square. The crowd was so large that police were forced to block the entrance to the venue.