While this is a funny scene in itself, it feeds into the show's central problem – which is that tonally, it is all over the place. It can't decide whether it's a heist comedy where we're meant to root for the mistreated underdog, Gauthier; a sensationalist, soapy account of a rock 'n' roll love story; or, as it aims to swing toward in the final episodes, an empathetic, much more sober take on events, as seen through the eyes of the female victim.

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