Six lines and five colours was all it took to make a masterpiece. By 1922, the modernist mission appeared to be complete. In Piet Mondrian's Composition with Blue, Yellow, Red, Black and Grey, only primary colours prevail. The orange and cornflower blue that lingered the previous year had been banished from the grid, and a contemplative grey-white took centre stage. Western art had never seemed so simple or so accessible.

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