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Jordão's research is explicitly interested in the character of Inês, her agency, and in feminist versions of the story – of which, I assume, there must be many. Not so, apparently: she cites Clifford's work in this direction as still being quite rare. While some early plays – Ferreira's Castro; Vélez de Guevara's Reinar Después de Morir – do put Inês at the centre, Pedro then took precedence in most subsequent retellings.
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