Film directors had always looked to their childhoods for material, but in the cases of, say, Ingmar Bergman with Fanny and Alexander (1982), or Federico Fellini with Amarcord (1973), those films came much later in the creator’s work, functioning as a sort of wistful return to youth such as comes when considering one's life to the full. ET is not autobiographical in the way of those films (not least because it prominently features a small, adorable alien crashing to Earth) but it clearly draws prominently on Spielberg’s youth

อ่านต่อได้ที่  :  โรงเรียนบ้านสันดอน

สาระน่ารู้ :  Bish