Another route to restitution is exemplified in an adjacent canvas. The green, yellow, white Impressionist-style 1892 painting by Pierre Bonnard, Still Life with Guelder Roses, was one of 2,000 pieces stolen by the Nazis from a single collector, David David-Weill, the French-American philanthropist who had headed the banking house Lazard Frères. This canvas was returned to him in 1946, shortly after it was recovered by Allied forces among the many works hidden by the Nazis in an Austrian salt mine.

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