almost 2 years ago

Mondrian intended the combination of primary colours and bold geometric patterns to convey nature's inherent connectivity in the most distilled and direct way possible. In a letter to fellow Dutch artist Theo Van Doesburg in 1915, he writes: "I always confine myself to expressing the eternal (closest to the spirit) and I do so in the simplest of external forms, in order to be able to express the inner meaning as lightly veiled as possible."

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