Indeed, with the exception of The Matrix, filmmakers have tended to portray the internet as something inherently corporate and transactional – whether that's imagining it as the plaything of eccentric wealthy geniuses, as in Ready Player One, or as a place that trades on intellectual property in 2018 kids' animation Ralph Breaks the Internet, which sees video-game characters embark on an adventure traversing the web, visualised as a virtual city completely saturated in brands.

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