As the American sculptor Carl Andre, who would himself become a leading figure in the Minimalist movement in the 1960s and 70s with shallow piles of drab bricks, noted in a catalogue essay that accompanied an exhibition of Stella's canvases at the Museum of Modern Art in 1959, "Frank Stella is not interested in expression or sensitivity," Andre observed. "His stripes are the paths of brush on canvas. These paths lead only into painting."

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