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And he was extremely good at (playing Columbo)." Falk's influence didn't stop at acting; he soon moulded the entire show in his image. The book Shooting Columbo explores how Falk, who in the 70s regularly threatened to quit in protest at pay and conditions, often re-wrote scripts and constantly ad-libbed scenes, insisting on dozens of takes to perfect Columbo's characteristics (the murderer's frustrations at Columbo were often genuine expressions of annoyance at Falk).

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