The curiously eclectic piece, which occupies a gallery of its own, is comprised of a greenhouse whose windows have been smudged with strokes of chalk from the White Cliffs of Dover (a recurring material in her work). Strobing in time to the rhythm of one's lungs, a light inside the greenhouse gives intermittent glimpses of the structure's floor, made from discarded tiles designed by Augustus Pugin for the Houses of Parliament in the 19th Century. "It looks a bit like a floating carpet," says Parker. "All the most powerful people in the world have strode across them – Gladstone, everyone. It's been worn thin by politicians. It looks like the greenhouse is afloat on top of this thing." According to Parker, the light pulsates "very slowly, almost like breathing, so shadows fill the walls – a bit like the shed, or Perpetual Canon".

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